Memory and nostalgia di Alessandro Riva Carlo Cola’s painting is surprisingly contemporary. Its poetic and visual core lies wholly in the desired, conscious and radical distancing from the stimulus of the languages and forms of art history – particularly those...
Three incipits for the singular Carlo Cola di G. P. Bianki febbraio ’02 1. When I was born, Carlo was already there. He was seven months older than me; I don’t remember ever meeting him for the first time, but I clearly remember the first time that, for...
